Jan 14.
I am reposting something from last year, at this time of 2012, written in Mysore, where I find myself again, one year later, same but different. It still applies, and helps me to see what has transpired. It is a jumping off point for further posts, and I hope you still find it interesting.
I am reposting something from last year, at this time of 2012, written in Mysore, where I find myself again, one year later, same but different. It still applies, and helps me to see what has transpired. It is a jumping off point for further posts, and I hope you still find it interesting.
Video Footage of the Goddess is Prohibited
Hiked up Chamundi Hill, 1000 steps to the goddess temple, holding up the saree.Chamundi is another name for Durga, which is another name for Parvati, Shiva’s partner. Durga is the destroyer of demons and rides a tiger, carrying many swords in her many arms. Going to the temple without Robert Moses, especially bringing a few others who haven’t been to temple before, felt like a rite of passage. I knew on this Yatra I had passed into a new relationship with temple-going, and Hindu worship, and yesterday I could feel it.
There is a certain brightness in the eyes that comes after darshan (making eye contact with the image of the goddess at temple). It reminds me of how my eyes feel after I’ve had caffeine or sugar. The energy and excitement of the local people crowding around to catch a glimpse, to make their prayers and offerings, is becoming contagious for me now, after all theses years. It used to be that I was so concerned with feeling out of place that I was too distracted to think of something like God. Over this decade of travel here, and especially twice with Namarupa Yatra, I am finding something meaningful in the act of darshan, something that transforms. I use a mantra as I wait in the line, inside the metal gates that route us along and towards the inner sanctum, just like the gates that wind us along at amusement parks, waiting for our chance to hop on a popular roller coaster. The mantra keeps me focused if I am pushed or crushed, stared at.
The Indian people must be wondering what boons I get from being among their Gods and Goddesses. I assume they must feel quite proud to see westerners who travel so far to touch their Gods. I remember this, reminding myself I am a welcome child of the universe, even here among so much that is foreign. The mantra cuts through the same broken record that has played for ten years as I go to temples. Cuts right through to the heart of it: this is about my Self, God (something more powerful than me), and all the other humans seeking the same thing in this smelly, damp line up.
It’s a metaphor for life, surely. All of us in it together, forgetting we are in it together.It’s impossible in India to forget we are in it together! The consciousness here is collective, personal space must include a general orbit of other people’s heat, smells, sounds, and intentions. When we come together at temple, the intention is same: to catch sight of the Gods and receive their blessing. Our bodies are crushed together and hurried along. One must reach through a matrix of other arms to touch the sacred flame for Aarti. One must crane the neck and lean in over the railing, arching for even a momentary connection with the eyes of that stone or brass statue. There is no quiet, penetrating gaze. It’s a momentary blast, a shot to the heart and –oh! Someone is pushing me along from behind, the priest is waving me along. Put a few rupees on the platter, remember the mantra, move along and only feel what has just transpired.
It is, like so many things here, about the surrender.